ScopeLink is there in the After Effects Video Preview preferences as well. That’s an “external” video scope without the need for another computer with video I/O. I could see a setup where an editor with two edit monitors and a client monitor could position ScopeBox on one of those computer monitors when grading, have the NLE interface on the other and the output on the external monitor. This is rather important because anyone using a grading monitor for their color work will definitely want to still see their signal on that external monitor. PPro’s Mercury Transmit will still work even when ScopeLink is turned on. If you look above at that playback preference from PPro you’ll also notice that the Blackmagic Playback preference is checked as well. When that happened I would have to go into the PPro Playback Prefernce and toggle the ScopeLink Video Device on and off. Sometimes when starting up ScopeBox wouldn't see PPro when adding the ScopeLink source. Although it’s not officially supported as of yet I was also able to get it working in PPro CC (that’s the next Creative Cloud version of Premiere). It’s very simple to setup and I didn’t have any trouble getting the ScopeLink option to work in either PPro CS6 or After Effects. Toggle that on and your image will then be there in ScopeBox.
#Ultrascopes vs scopebox install
A trip to the Adobe Premiere Pro Playback preferences after the install reveals a new playback option.Īfter the component install ScopeLink will appear as a new playback preference. Your first time adding ScopeLink as a source will prompt you to install the components to make ScopeLink work. ScopeLink is what this technology is called and it’s a brand new source located in ScopeBox’s Source menu.Ĭhoose ScopeLink as the source and your need for a dedicated computer to run ScopeBox may have gone away. Viola: no need for a second computer to run it.
#Ultrascopes vs scopebox mac osx
The Divergent Media engineers have figured out a way to take the video signal out of (currently) Adobe Premiere Pro and After Effects (using some technology in Mac OSX 10.8) and pump that into ScopeBox. ScopeLink monitors Adobe Premiere Pro and After Effects on the same computer As in those that don’t have a dedicated computer to run video scope software. The addition of the ScopeLink feature eliminates that need for a second computer for some workflows and should make the tool usable to an untapped market of editors out there. The separate computer took that video signal and processed it to display in ScopeBox. You would pump a video signal out of your NLE’s installed video hardware and into a separate computer with both video input hardware and the ScopeBox software.
Video scope software, for the most part, requires its own computer and hardware to run, but ScopeBox 3.3 breaks that tradition with a new feature called ScopeLink.īefore Divergent Media introduced version 3.3, ScopeBox required a whole separate computer besides your main edit system to work. Enter a product like ScopeBox which is $100 stand-alone video scope software. Sometimes it’s a matter of making the right window arrangements to use an app’s built-in scopes but if you don’t save that window configuration then you’ll be less prone to use them when the time comes.
#Ultrascopes vs scopebox how to
They are very important when it comes to the color grading / color correction process but many of those working in post-production don’t really know how to properly use them (I say partially raising my own hand). Most all NLEs have video scopes somewhere in the software.
Video scopes are one of those things we often take for granted.
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